Jai Baoyu is a male heir who grew up in a wealthy feudal clan dominated by women. His love affairs with his cousins Lin Daiyu and Xue Baochai happened in the midst of his family's struggle to remain influential.

A series of killings of bank managers has London in a turmoil, all the way up to Parliament. And the killer regularly calls about his handiwork, but only to a street-wise, and usually rather tipsy, radio reporter, about to be sacked for his habitual irreverence toward his station and the BBC. And while everything seems to point to a lead singer of a rock group famous for the "In The Red" music which has been connected to the killings, in typical British mystery fashion, there are also other sub-plots to be considered.

Idealistic young attorney Adam Hall takes on the death row clemency case of his racist grandfather, Sam Cayhall, a former Ku Klux Klan member he has never met.

Writer Lee Yun-ho was the son of a traditional music drama family and met Hanako who had visited Cheongju to learn gayageum. Hanako passed away, leaving her 12 year-old daughter Yumae. Lee Yun-ho lived with her and his old father. Sora, a friend of Hanako, had loved Yun-ho for a long time and took care of his family. However, Yun-ho still had Hanako in his heart and consoled his lonesome heart by loving his daughter Yumae.

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A young student is visited by a mysterious and wealthy philosopher with an offer to make the student his heir .

An autobiographical journey for filmmaker Lawrence Johnston, who grew up as one of six siblings to his Aboriginal father Colin and non-Indigenous mother, Gloria. Their marriage was a tempestuous one that included physical and emotional abuse. Johnston's unflinching film is a personal and emotional journey that looks at love, marriage, family, and commitment, as he explores the effect his parents' marriage has had on his romantic ideals. His debut feature film Life won the FIPRESCI International Critics Prize at the 1996 Toronto Film Festival and was nominated for four Australian Film Institute Awards and four Australian Film Critics Circle Awards including Best Actor and Best Screenplay.

While a plague devastates the peasantry, a mad prince hosts a masquerade ball for the noble class in his castle. When a noblewoman is exiled, her long-lost twin, raised among the lower classes and seeking shelter from the plague, assumes her identity and enter the castle as an imposter. Once inside, she is received into a decadent world of orgies, opium, power schemes, revenge, and decapitations.

A film by Wei-Heng Kao.